Magic in Contemporary Art, Ep. 2 – Lecture & Discussion Dr. Amy Hale and Susan Aberth discuss the magical work of Leonora Carrington and its influence on modern art history.
In this episode, Amy’s guest is pioneering art historian Susan Aberth, whose groundbreaking study of surrealist Leonora Carrington helped shaped the way magic, witchcraft and the occult are framed in the study of modern art. Amy and Susan discuss how art history has responded to a deeper understanding of the influence of occultism, spiritualism and magic on artistic practices, and how the narrative of modern art is changing.
Episode 1 of a 10-part series about magic and contemporary art (other episodes to follow in the coming months).
SPEAKER BIOS
Susan L. Aberth is the Edith C. Blum Professor of the Art History and Visual Culture Program at Bard College, and a world-renowned expert on occult art and surrealism. Her 2004 book, Leonora Carrington: Surrealism, Alchemy and Art (Lund Humphries) helped introduce Carrington’s magical work to the masses. She also recently co-authored The Tarot of Leonora Carrington (Fulgur Press, 2020) with Mexican curator Tere Arcq, which is an analysis of Carrington’s tarot paintings and original major arcana deck. Susan has contributed to the following exhibitions and publications: Surrealism and Magic, Guggenheim Venice (2021), Not Without My Ghosts (2020, Traveling exhibition in England), Agnes Pelton: Desert Transcendentalist (Phoenix Art Museum, 2019), Juanita Guccione: Otherwhere (Napa Valley Museum, 2019), Surrealism, Occultism and Politics: In Search of the Marvelous (Routledge Press, 2018), Leonora Carrington: Cuentos Magicos (Museo de Arte Moderno & INBA, Mexico City, 2018), Unpacking: The Marciano Collection (Delmonico Books, Prestel, 2017), and Leonora Carrington and the International Avant-Garde (Manchester University Press, 2017).
Amy Hale is an Atlanta-based writer and critic with a PhD in Folklore and Mythology from UCLA. Her research interests include contemporary magical practice and history, art, culture, women and Cornwall. She has written widely on artist and occultist Ithell Colquhoun, and been an academic advisor to the 2025 Colquhoun retrospective at Tate St. Ives and Tate Britain. She wrote the first scholarly biography of Colquhoun, Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor, 2020), followed by the collection Sex Magic: Diagrams of Love, (Tate Publishing, 2024). She is also the editor of the groundbreaking collection Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has written extensively on magic and contemporary art, and has written for Tate, Burlington Contemporary, Art UK, The Australian Centre for Contemporary Art, Correspondences Journal and other institutions. She is an Honorary Research Fellow with Falmouth University in Cornwall, a trustee of the UK Charity Rediscovering Art by Women (RAW) and a member of the British Art Network. Beyond the Supernatural: Magic in Contemporary Art is due to be published with Tate Publishing in 2026.
Original Event Date: 13 April 2025